Yeah I know, I’m posting reviews for my own products on my own website. But you’re not going to find this stuff on amazon, so I thought I’d relay some comments I’ve been getting.

If you make your own demo, please send it me! I’ll post it here, as well as on my youtube channel along with whatever social media handle you want me to put.

Reviews

PedalExperiments (slapmethrice) demoing the Head Full. He has also demo’d the Oversaturated Market and Hum Along, check them out!

“I might have to work out a deal with you to keep this thing. It’s awesome!”

Talk about a home run. You totally killed capturing that pure DF-2 crunch. - Daniel Morrisey/MorrisAurus. Also in a sweet project called Sound Escape, find them on bandcamp or spotify. The below demo is made by him, it’s not a paid for demo but it is sick!

 

This is Obscure Covers (Kurt Kokin) covering an obscure song with the Hum Along:

 

 Yoooo, this thing is sick! - u/215312617 on reddit and @graveyardoftheatlantic on instagram /// HUM Along



I also want to shout out Leyland Pedals for making something I’ve wanted for years. - u/chorbanlives on reddit (with a multi clip sound demo!) /// HUM Along

Ive had this pedal for a few weeks now, let me say, it sounds * amazing, its HUM in a box, the pedal even looks like very HUMish. - u/knapster78 on reddit /// HUM Along


The Hum Along is a really solid grit box. It has a great tone for cutting through a mix, there is no danger of getting lost. It has a metric (Leyland is European, these are not your garden variety imperial tons) * ton of headroom. Seriously start with it at 8 o’clock. Yes 8. Let me be crystal * clear here, I’m telling you to set the level knob to 1.5 out of ten.

It’s pretty sensitive to pickup height, play around with that. The tone knob is perfect, so powerful. Very dramatic shift. Really great taper.

It’s surprisingly adept as a low gain pedal and makes a good dirty boost as well. But a boost pedal before it in your chain if you want to go from alt-rock to more metal territory. It does really good high gain tones in front of a boost and is pretty quiet compared to other circuits (I’m sure some of this is due to the particular components Leyland chose as opposed to the circuit).

It really does sound very much like those 90’s swervedriver and HUM records. It was a bit of uncanny valley hearing it for the first time.

The 90’s high gain dirt box is a peculiar and fickle beast, but fear not. Leyland has tamed this wily, smarmy little * and made a beautiful thing of it. I think just about anyone playing music influenced by 90’s alt rock could work this tone into their board.

It’s warmer, smoother than a DS-1 and doesn’t need a dirty Marshall stack in front of it to sound decent (though it doesn’t hurt.) it reminds me of Rat except tighter and less fuzzy at high gain, and a much better tone stack. - Moscfet/Greg Morris /// HUM Along

Thank you so much. This thing * rules. - Larry Lowry /// HUM Along



How can something so small make a sound so big! - Ryan Smith /// HUM Along




You really nailed it though. - Anton Bartolic /// HUM Along











*non-PG words may have been removed